Step-by-Step Guide to Mastering Your Song in Cubase/FL Studio #MusicProduction
Step-by-Step Guide to Mastering Your Song in Cubase/FL Studio #MusicProduction
Have you ever finished mixing a song and thought, “Why doesn’t it sound as big and polished as professional tracks?” You’re not alone. Every music producer hits that point — the mix sounds good, but the final product still lacks punch, clarity, and volume. That’s where mastering comes in.
Mastering is the final magic touch that turns your mix into a release-ready song. Whether you’re using Cubase or FL Studio, mastering isn’t about adding random plugins — it’s about balance, control, and subtle polish. In this guide, we’ll walk through every step of mastering your track like a pro using these popular DAWs.
🎧 What Is Mastering, Really?
Think of mastering as the final coat of paint on your finished artwork. You’ve already created and mixed your masterpiece — now mastering ensures it translates well across all speakers, from studio monitors to cheap earbuds.
The main goals of mastering are:
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Achieve consistent loudness without distortion
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Ensure frequency balance (no harsh highs or muddy lows)
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Maintain stereo width and clarity
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Make your song sound cohesive in comparison to other tracks
🖥️ Before You Start Mastering
1. Get Your Mix Right First
Mastering can’t fix a bad mix. So before exporting your mixdown:
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Check that your mix doesn’t clip. Aim for a peak level around -6dB.
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Use reference tracks to compare tonal balance.
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Make sure vocals sit naturally and drums aren’t overpowering.
2. Export Properly
🎚️ Step 1: Import and Analyze Your Track
Open a new empty project in Cubase or FL Studio. Import your mix file onto the main track.
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Frequency balance (too boomy? too dull?)
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Loudness levels (aim for around -14 LUFS for streaming)
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Dynamic range (DR8–DR10 is healthy for most genres)
This helps you understand what needs work instead of guessing.
🎛️ Step 2: EQ for Tonal Balance
💡 Goal: Clean and balance the frequencies
Start with a linear-phase EQ like FabFilter Pro-Q 3, Ozone EQ, or Cubase’s Frequency 2.
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Roll off unnecessary low-end rumble below 20–30Hz
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Tame harshness between 2kHz–5kHz if vocals or cymbals bite too much
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Add gentle air at 10–15kHz for sparkle if needed
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Avoid drastic boosts — mastering EQ is about subtle 0.5–2dB changes
Pro Tip: Use mid/side EQ to control stereo frequencies — clean up the low end in mono, widen the highs.
🔊 Step 3: Compression for Glue and Control
💡 Goal: Add cohesion without killing dynamics
Use a gentle mastering compressor to bring the mix together.
Recommended settings:
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Ratio: 1.5:1 to 2:1
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Attack: 30–50ms
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Release: 100–200ms
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Gain reduction: around 1–3dB max
Plugins like Cubase’s Multiband Compressor or FL Studio’s Maximus work great. Multiband compression helps control specific frequency bands (for example, taming boomy bass without affecting vocals).
Listen carefully — compression should make the track sound slightly tighter and fuller, not squashed.
🌈 Step 4: Add Subtle Color (Optional)
Now that the technical stuff is done, you can add some analog warmth or character using:
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Tape saturation plugins (Softube Tape, Waves J37, or Fruity Tape)
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Exciters for brightness (but use sparingly)
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Stereo imagers for width — widen only the high frequencies to avoid phase issues
📏 Step 5: Limiting – The Final Boost
💡 Goal: Increase loudness without distortion
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Cubase Limiter
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Maximus (FL Studio)
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FabFilter Pro-L2
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Ozone Maximizer
Set:
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Ceiling: -0.8dB (to prevent clipping on streaming platforms)
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Input gain: Push until you reach your desired loudness (around -9 to -14 LUFS, depending on genre)
Check that your track still breathes — if it feels flat or distorted, pull back.
🔁 Step 6: Reference and Compare
Ask yourself:
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Is my low-end as tight and balanced?
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Do my vocals sit forward like theirs?
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Does my track sound too harsh or too dull in comparison?
If not, revisit your EQ or compression settings — sometimes small tweaks make a huge difference.
🎵 Step 7: Final Checks and Export
Before exporting your master:
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Listen on multiple systems — studio monitors, headphones, phone speakers, and car stereo.
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Take short breaks — ear fatigue can trick you into over-brightening or over-compressing.
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Ensure no clipping occurs and the loudness matches your streaming goal.
When you’re happy, export your master as:
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24-bit WAV (for high-res archives)
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16-bit WAV (for CD or distribution)
💽 Bonus Tips for a Professional Master
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Use Reference Tracks Regularly: Don’t rely only on your ears — match tonal balance with your favorite pro mix.
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Keep Dynamics Alive: Loudness isn’t everything. Let your song breathe.
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Avoid Mastering the Same Day as Mixing: Fresh ears reveal mistakes you’d otherwise miss.
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Use Meters: Tools like LUFS, RMS, and spectrum analyzers keep your mastering objective.
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Backup Your Mixes: Always save a pre-master version — once limited, you can’t undo the loudness.
🎤 Common Mastering Mistakes to Avoid
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Over-compression: Leads to lifeless, fatiguing tracks.
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Too much stereo widening: Causes phase cancellation issues.
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Boosting instead of cutting: Subtractive EQ often gives better clarity.
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Skipping reference listening: What sounds “great” in your studio might sound dull elsewhere.
Remember — mastering is about enhancing, not fixing. Small, controlled moves make your song sound polished and professional.
🔔 Conclusion: Your Song Deserves the Final Polish
Mastering may feel intimidating at first, but with practice, you’ll start to hear how subtle moves shape the final sound. Whether you’re in Cubase, FL Studio, or any other DAW, the key lies in understanding your song’s emotion and bringing it out through balance and clarity.
So, go ahead — open your DAW, load your final mix, and give your track the love it deserves. Once you master your first song, you’ll never look back.
👉 Have you tried mastering your own track yet? Share your experience or questions in the comments — let’s grow as music creators together!
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